Mankutimmana kagga wiki tv#

H.R.Bapu Satyanarayana on вЂNammaвЂ™ Uday Kumar has a small story to tell about how #Coronavirus has changed his life. And, after six decades of writing, Shantadevi KanaviвЂ™s thoughts live on in six languages. H.R.Bapu Satyanarayana on In the end, words are all that will survive. The media in Karnataka have a bigger role in building a narrative of how this ban on dubbing is turning out to be detrimental for the future of Kannada by engaging in debates, discussions involving everyone,most importantly the consumer who holds the purse strings deciding the future of everyone involved. The Telugu, Tamil and Hindi cinema industries where no such dubbing ban exists, have way bigger market size in both cinema and television sector and are offering clear lessons on the importance of doing away with such undemocratic bans. Except for the boring soap operas, fighting news channels, and macchu-kocchu movies, I do not have anything in Kannada that tickles my senses. The undemocratic and unconstitutional ban on dubbing has made sure that in a fast globalising world, Kannadigas are left with very little choice of knowledge and entertainment shows offered in Kannada. Kannada films have a decisive role in keeping the language on the tongues of young Kannadigas. The Kannada film industry, though small in size has bigger social impact when it comes to cinema as a linguistic register. The Kannada cinema and television industry has failed to internalise the fact that it is a for-profit industry run by private individuals and not some government-funded public goods with a charitable motive. And it also runs on blaming government for its failures day in and day out. It runs by sucking tax payers money in the form of subsidies offered to almost 60% of films made every year than going through the test of markets.

Mankutimmana kagga wiki tv#

It runs on Taliban-like fatwas to TV channels to not air the dubbed content than going by the merits/demerits of demand for dubbed content in the market. Sadly, it isnвЂ™t the case with Kannada cinema and television industry. Where there is a demand for certain products and services, there will be suppliers willing to supply them for profit. Like any other trade, the trade of cinema runs on supply and demand. Have you seen something similar in any other cinema industry? Has it become a banana republic where unelected feudal people rule the roost? Has Karnataka ceased to be a democratic State any more? Why am I being denied my rightful access to all these in a language of my choice? Like me, there are lakhs of Kannadigas who may want to watch a Disney character speaking in Kannada, or a Discovery, Animal Planet program on Amazon forests being aired in Kannada, or watching Avatar 3D in Kannada. In a democracy, I, as a consumer, have every right to demand all sources of knowledge and entertainment in a language of my choice as long as my demands are within the limits of law. In a civilised democratic society, there is no place for bans of any kind even if it is imposed by an elected government. This brings us to the question: Who are these organisations to ban anything in a constitutional democracy? Fortunately, this time Suvarna backed off before the associations took law into their hands.

The same associations which ransacked the office of Zee Kannada last year protesting its move to air a voice-dubbed program on Jhansi Rani Laxmibai are at it again. Now, this program will be telecasted in Hindi, Telugu and Tamil while Kannada gets dropped from the list, thanks to the ban on dubbing imposed by a few sundry private organisations in the name of protecting Kannada language and culture. In Kannada, Suvarna, the general entertainment channel owned by Rajeev Chandrasekhar, was supposed to air this program from May 6. The program was planned to be aired in several Indian languages including Kannada on Star IndiaвЂ™s network channels. VASANT SHETTY writes from Bangalore: Aamir Khan announced his entry into the small screen with вЂњ Satya Meva JayateвЂќ a few days ago.